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Chinese Painting Chinese painting is also called traditional Chinese painting. Traditional Chinese painting dates back to the Neolithic period, about eight thousand years ago. Colored pottery with painted animals, fish, deer, and frogs found in excavations shows that the Chinese had already begun to use brushes for painting during the Neolithic period. Chinese painting - important part traditional Chinese culture and a priceless treasure of the Chinese nation, it has a long history and glorious tradition in the field of world arts.

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Features of Chinese Painting Chinese painting and Chinese calligraphy are closely related because both art forms use lines. The Chinese developed simple lines into highly developed art forms. Lines are used not only to draw contours, but also to express the artist’s concept and feelings. For various items and goals, different lines are used. They can be straight or curved, hard or soft, thick or thin, pale or dark, and the paint can be dry or flowing. The use of lines and strokes is one of the elements that gives Chinese painting its unique qualities.

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Traditional Chinese Painting Traditional Chinese painting is a combination of several arts - poetry, calligraphy, painting, engraving and printing - in one painting. In ancient times, most artists were poets and masters of calligraphy. For the Chinese, “Painting in poetry and poetry in painting” was one of the criteria for beautiful works of art. Inscriptions and seal impressions helped explain the artist's ideas and moods, and also added decorative beauty to Chinese painting.

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In painting Ancient China artists often depicted pine trees, bamboo and plum trees. When inscriptions were made on such drawings - “exemplary behavior and nobility of character,” then the qualities of people were attributed to these plants and they were called upon to embody them. All chinese arts- poetry, calligraphy, painting, engraving and printing - complement and enrich each other.

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Styles of Chinese Painting Based on the means of artistic expression, traditional Chinese painting can be divided into complex painting style, liberal painting style, and complex liberal painting style. Complex style - the painting is drawn and painted in a neat and orderly manner, the complex painting style uses an extremely refined brushwork to paint objects.

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The liberal style of painting uses loose writing and short strokes to describe appearance and the spirit of objects, and express the artist's feelings. When painting in the liberal style of painting, the artist must place the brush exactly on the paper, and each stroke must be skillful in order to be able to express the spirit of the painting. The complex liberal painting style is a combination of the two previous styles.

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Masters of Chinese Painting Qi Baishi (1863–1957) is one of the most famous Chinese artists of our time. He was a versatile artist, he wrote poetry, was a stone carver, was a calligrapher, and also dabbled in painting. Through many years of practice, Qi found his own special, personal style. He was able to depict the same theme in any style. His works are distinguished by the fact that in one picture he could combine several styles and methods of painting.

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Thanks to Qi Baishi, Chinese and world painting took another step forward: he was able to create his own individual artistic language, unusually bright and expressive. He left a profound mark in the history of Guohua.

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ABOUT QI BAISHI THEY SAY: “HE SAW GREAT THINGS IN SMALL THINGS, FROM NOTHING HE GAVE MUCH THINGS OUT OF NOTHING.” His works are filled with light that penetrates flower petals and insect wings: it seems that it illuminates us too, giving rise to a feeling of joy and peace in the soul.

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Chinese painting. What is needed? Chinese painting differs from Western painting in the necessary materials for painting. Chinese painters use a brush, an ink stick, rice paper and an ink stone to paint a picture - all this is necessary in Chinese painting. Rice paper (Xuan paper) is an essential material for Chinese painting because it has a beautiful texture that allows the brush and ink to move freely over it, causing the strokes to fluctuate from shadow to light.

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Combination of poetry, calligraphy and printing in Chinese painting Chinese painting shows perfect union poetry, calligraphy, painting and printing. Typically, many Chinese artists are also poets and calligraphers. They often add a poem to their painting and stamps of various seals after it is completed. The combination of these four arts in Chinese painting makes the paintings more perfect and beautiful, and a true connoisseur will receive aesthetic pleasure from contemplating Chinese painting.

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Genres of Chinese Painting The following genres are distinguished in Chinese painting: landscape (“mountain-water”), portrait genre (there are several categories), images of birds, insects and plants (“flower-birds”) and animalistic genre. It should also be added that in traditional Chinese painting such symbols as the phoenix bird and the dragon are very popular.

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Chinese Painting - Guohua Painting Guohua is a traditional painting of China. Guohua painting uses ink and water paints; the painting is done on paper or silk. Guohua is close in spirit to calligraphy. To apply paints, brushes made from bamboo and the hair of domestic or wild animals (rabbit, goat, squirrel, deer, etc.) are used.

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参观中国画展览 Chinese language teacher MBOU Secondary School No. Sevostyanenko A。G。 To paint traditional Chinese paintings, the so-called “four treasures” of the artist are used: a Chinese brush, paint, an ink pot for rubbing ink and mineral paints, paper. Before the invention of paper, people painted on silk, but even after the advent of paper, silk often continued to serve as a canvas for the artist right up to the present day. The painter's tool was a brush made from animal hair. The main pictorial element was the line applied in ink with a brush. Lines are the most common pictorial element in a painting, especially in paintings of the early period. Chinese artists were distinguished by their virtuoso skill with the brush. The lines that appeared from under their brush varied in thickness, the density of ink coloring, they could amaze with their power, or they could look like a barely noticeable hair. With the help of lines and their diversity, the artist created images full of life, highly artistic, embodying all the diversity of the objective world. 水墨画 In China, they always use tiles of first-class ink, with a black varnish sheen. By rubbing the tiles with water to a thick or liquid consistency, ink is obtained and, with the help of the artist’s skillful brush, acquires a variety of shades. Its erosions convey either the thinnest haze of fog or the shaggy paws of pine trees hanging over a dizzying abyss. Chinese painters never painted directly from nature; they reproduced landscapes from memory. They constantly trained their visual memory, peering intently at nature and studying it. The blow of their brush is always precise, because on porous thin paper or silk no corrections are possible. Zhao Bo-su. Returning from hunting. Album leaf. Painting on silk12th century. 水墨画只有两种颜色: 白色和黑色. Mischievous village schoolchildren. Painting on silk. 12th century Ai Di. A man leading a buffalo across a snowy plain. Painting on silk. 12th century Bamboo in Chinese paintings is a symbol of inflexibility and perseverance, a person of high moral qualities. Bamboo represents summer and symbolizes strength and flexibility. It is so strong and flexible that it bends but does not break under strong wind pressure. Chinese artist Xu Xinqi is famous for his cat drawings。 The works presented are made using the Guohua technique, a traditional Chinese painting that uses ink and water paints on silk or paper. “It’s as if nature had gathered her art to divide north and south here into dusk and dawn.” Li Bo. A new technique called “ink lifting” (揭墨), when ink applied to paper, with the help of a special effect, spreads in the desired direction, forming soft shimmers. This achieves an effect that cannot be achieved using a brush. Such a picture cannot be copied or faked, because a unique pattern is formed. This technique was recognized as an invention and patented in 1997. Chinese painting is based on a subtle ratio of delicate mineral colors that are in harmony with each other. The foreground was usually separated from the background by a group of rocks or trees, with which all parts of the landscape were related. 水彩画是用各种各样的颜色画的. The compositional structure of the painting and the features of the perspective were designed to make a person feel not like the center of the universe, but a small part of it. The compositional structure of the picture and the features of perspective were designed to make a person feel not like the center of the universe, but a small part of it. Thank you for your attention! 再见!

There are discrepancies regarding the origin of this art. Tradition itself attributes the creation of Chinese painting to four founding fathers: Gu Kaizhi (Chinese: 顧愷之) (344 - 406), Lu Tanwei (Chinese: 陆探微, mid-5th century), Zhang Sengyao (ca. 500 - ca. 550). ) and Wu Daozi (Chinese: 吴道子, 680 - 740), who lived from the 5th to the 8th centuries AD. The second famous representative of “painting of intellectuals,” the famous landscape painter Guo Xi, in his treatise “On Painting,” considers the painting a kind of psychological portrait of the author, emphasizing high meaning personality and nobility of the artist. The artist especially emphasizes the need for perfection of the master’s personality. He considers poetry to be another important aspect of a work of painting, citing a phrase belonging to an unknown author: “Poetry is painting without form; painting is poetry taken form.” Since the time of the artist Wang Wei (8th century), many “intellectual artists” have given preference to monochrome ink painting over flowers, believing that: “Among the ways of a painter, simple ink is superior to all. He will reveal the essence of nature, he will complete the work of the creator.” It was during this period that the main genres of Chinese painting emerged: The genre of plant painting, in particular bamboo painting. The founder of bamboo painting was Wen Tong. Since the birth of Chinese painting on silk and paper in the 5th century AD. e. Many authors have attempted to theorize painting. The first among all, perhaps, was Gu Kaizhi, at whose suggestion six laws were formulated - “loofa”: Shenqi - spirituality, Tianqu - naturalness, Goutu - the composition of a painting, Guxiang - a constant basis, that is, the structure of the work, Mose - following tradition , ancient monuments, Yunbi - high technique of writing with ink and brush. Chinese painting after the Song era The periods of the Tang and Song dynasties are considered the time of the highest flowering of Chinese culture. The same can be said about Chinese painting. Throughout the subsequent Yuan, Ming and Qing dynasties, artists were guided by samples from the Song period. Unlike the Tang and Song artists, painters of subsequent eras did not strive to create new styles, but, on the contrary, imitated in every possible way the styles of bygone eras. And they often did it at a very good level, like the artists of the Mongol Yuan dynasty that followed the Song era. Chinese painting of the 18th – 20th centuries. The era of change. The 16th - 17th centuries turned out to be an era of great changes for China, and not only because of the Manchu conquest. With the beginning of the colonial era, China began to become increasingly exposed to the cultural influence of Europeans. A reflection of this fact was the transformation of Chinese painting. One of the most interesting Chinese artists of the Qing era is Giuseppe Castiglione (1688 - 1766), an Italian Jesuit monk, missionary and court artist and architect in China. It was this man who became the first artist to combine Chinese and European traditions in his drawing. The 19th and 20th centuries became a great test of strength for China. China has entered an era of change on a scale never before seen. During the 19th century, China lost 2 opium wars to European colonialists and suffered significant devastation from the Europeans. In 1894 - 1895, China lost the war to Japan and was divided into zones of influence between the European colonial empires (including Russia), the USA and Japan. However, the most striking personality in Chinese painting of the 20th century was undoubtedly Qi Baishi (1864 - 1957), who combined two previously incompatible biographical features for a Chinese artist; he was an adherent of “painting of intellectuals” and at the same time came from a poor peasant family. Qi Baishi also received wide recognition in the West, and in 1955 he was awarded the International Peace Prize.

Symbolism in Chinese painting Chinese painting is also characterized by an extremely elegant language of images. Often depicting something, a Chinese artist puts a certain subtext into the drawing. Some images are particularly common, for example, four noble plants: orchid, bamboo, chrysanthemum, meihua plum. In addition, each of these plants correlates with a certain character quality. The orchid is delicate and sophisticated, associated with the tenderness of early spring. Bamboo is a symbol of unyielding character, a true man of high moral qualities (Xun Tzu). Chrysanthemum is beautiful, chaste and modest, the embodiment of the triumph of autumn. The blooming wild plum meihua is associated with purity of thoughts and resistance to the adversities of fate. In plant subjects, other symbolism is also found: for example, painting a lotus flower, the artist talks about a person who has retained purity of thoughts and wisdom, living in a stream of everyday problems.

"Chinese painting"

Presentation for class

By fine arts

for 3 years of education for children aged 12 to 15 years.

in the system of additional education.

Presentation for a lesson in fine arts for the 3rd year of education for children aged 12 to 15 years.

Developed by: Baukina O. V.,

teacher of additional education.

Chinese painting

Chinese painting An important part of traditional Chinese culture and a priceless treasure of the Chinese nation, it has a long history and glorious tradition in the field of world arts.

dates back to the Neolithic period, about eight thousand years ago.

Colored pottery with painted animals, fish, deer, and frogs found in excavations shows that the Chinese had already begun to use brushes for painting during this period.

Chinese painting

Features of Chinese Painting

Chinese painting And chinese calligraphy

are closely related because both art forms use lines. The Chinese developed simple lines into highly developed art forms. Lines are not only used to draw contours, but are also used to express the artist’s feelings.

A wide variety of lines are used.

They can be straight or curved, hard or soft, thick or thin, pale or dark, and the paint can be dry or flowing.

The use of lines and strokes is one of the elements that gives Chinese painting its unique qualities.

Traditional Chinese painting

is a combination in one picture of several arts - poetry, calligraphy, painting, engraving and printing. In ancient times, most artists were poets and masters of calligraphy.

For Chinese “Painting in poetry and poetry in painting” was one of the criteria for beautiful works of art.

Inscriptions and seal impressions helped explain the artist's ideas and moods, as well as add decorative beauty to the painting. China .

In the painting of ancient China

artists often depicted pine trees, bamboo and plum trees.

When inscriptions were made on such drawings - “exemplary behavior and nobility of character,” then the qualities of people were attributed to these plants and they were called upon to embody them.

All Chinese arts - poetry, calligraphy, painting, engraving and printing - complement and enrich each other.

Chinese painting styles

According to the means of artistic expression, traditional Chinese painting can be divided into

complex painting style, liberal painting style,

and complex-liberal.

Complex style- the painting is drawn and painted in a neat and orderly manner, the complex painting style uses an extremely refined brushwork to paint objects

A combination of poetry, calligraphy and printing

in Chinese painting

Chinese painting shows the perfect union of poetry, calligraphy, painting and printing. Typically, many Chinese artists are also poets and calligraphers. They often add a poem to their painting and stamps of various seals after it is completed.

The combination of these four arts in Chinese painting makes the paintings more perfect and beautiful, and a true connoisseur will receive true pleasure from contemplating Chinese painting.

Masters of Chinese Painting

Qi Baishi (1864 - 1957)

is one of the most famous Chinese artists of our time. He was a versatile artist, he wrote poetry, was a stone carver, was a calligrapher, and also dabbled in painting.

Through many years of practice, Qi found his own special, personal style. He was able to depict the same theme in any style. His works are distinguished by the fact that in one picture he could combine several styles and methods of painting.

Through many years of practice, Qi Baishi I found my own special, personal style.

He was able to depict the same theme in any style. His works are distinguished by the fact that in one picture he could combine several styles and methods of painting.

Chinese painting. What is needed?

Chinese painting is different from Western painting .

Chinese painters use a brush, an ink stick, rice paper and an ink stone to paint a picture - all this is necessary in Chinese painting.

Rice paper (Xuan paper) It has a beautiful texture so that the brush with ink moves freely over it, due to which the strokes fluctuate from shadow to light.

Genres of Chinese Painting

The following genres and styles are distinguished in Chinese painting:

genre landscape (“mountains-water”)

portrait genre(there are several categories),

image of birds, insects and plants (“bird flowers”)

animalistic genre .

It should also be added that in traditional Chinese painting such symbols as the phoenix bird and the dragon are very popular.

Chinese painting styles: Wu Xing and Guohua.

Wu Xing Painting

One of the most effective techniques for learning to draw.

A person who begins to engage in this art truly enjoys the awareness of his inner capabilities.

This is a system of 5 primary elements:

wood, fire, earth, water and metal.

Each element corresponds to 5 strokes; with their help, the artist paints his paintings, conveying the essence of the object, and not the form.

This feature gives everyone the opportunity to learn how to draw from scratch. as there is liberation from the stereotyped perception of the world, a creative vision appears.

Guohua painting .

In Guohua painting Ink and water paints are used, the painting is done on paper or silk. Guohua is close in spirit to calligraphy. To apply paints, brushes made from bamboo and the hair of domestic or wild animals (rabbit, goat, squirrel, deer, etc.) are used.

Practical part step-by-step work

Exercise: Try drawing these funny chickens.

Literature

Chinese Painting - China Painting http://azialand.ru/kitajskaya-zhivopis/

Wikipedia https://ru.wikipedia.org/wiki/%D0%9A%D0%B8%D1%82%D0%B0%D0%B9%D1%81%D0%BA%D0%B0%D1%8F_%D0 %B6%D0%B8%D0%B2%D0%BE%D0%BF%D0%B8%D1%81%D1%8C

Chinese painting, pictures https://www.google.ru/webhp?tab=Xw&ei=VLOhV8a2B-Tp6AS-zrCYAw&ved=0EKkuCAQoAQ#newwindow=1&q=%D0%BA%D0%B8%D1%82%D0%B0%D0%B9%D1 %81%D0%BA%D0%B0%D1%8F+%D0%B6%D0%B8%D0%B2%D0%BE%D0%BF%D0%B8%D1%81%D1%8C

Chinese paintingChinese painting -
important part
traditional
Chinese culture and
priceless treasure
of the Chinese nation, she
has a long history and
glorious traditions in
areas of the world
arts
Chinese
painting is also called
traditional chinese
painting. Traditional
chinese painting
dates back to the Neolithic period,
about eight thousand years
back. Found on
excavated colored ceramics
with drawn
animals, fish,
deer and frogs
shows that during
Neolithic Chinese already
started using brushes
for drawing.

During the Qin Dynasty and
Han is developing
fresco painting. Her
used for burials, and
also in temples and palaces. WITH
development of Buddhism in the period from 3
until the 6th century the temple developed
painting, for example,
Buddha images in the mountains
caves.
Ancient Chinese
painting was very different from
European painting. In Europe
widely used
possibilities of color, shadows, and
In China, painters created
amazing pictures of the game
lines. The main thing that distinguishes
Chinese painting from
European is the desire
convey the “spirit of the picture”, or how
the Chinese say “with the help
forms to express mood.”

Ancient Chinese
painting, as in other things
modern, knew two
main style: "gong bi"
(diligent brush) and “se and”
(expression of an idea).
Chinese principles
paintings are
admiring nature as
a perfect creation.

The genres of Chinese painting are quite diverse: - animalistic genres, - everyday genres, - ceremonial portrait, - miniature on fans and others

household items,
- Chinese landscape painting.
Didn't exist in China
still life in the usual
for us it means
stationary objects with
Chinese point of view
dead without dynamics
movements of life and
time.

Chinese painting gravitates towards certain stable images: one of the most favorite objects of aesthetic embodiment in painting is

Chinese painting
gravitates towards certain
sustainable images:
one of the most
favorite objects
aesthetic
embodiments in painting
is bamboo
In Chinese
in pictures bamboo is
not just a plant, but
human symbol
character.

Chinese painting and calligraphy

In China use
one tool and
for painting, and for
calligraphy - brushes
- connected these two species
art.
Calligraphy (from the Greek words
κάλλος kallos "beauty" + γραφή
graphẽ "to write") - view
fine arts,
aesthetic design
handwritten font.

The total number of Chinese characters reaches 80,000. But in reality, no more than 10 thousand characters are used in all types of texts. Chinese

hieroglyphs are difficult for
spellings: each of them
consists of several
devil (from 1 to 52).
Calligraphy is like
painting and process
creating a hieroglyph
brush and ink akin to
creation process
paintings.

About him