Wands in the game are used by magicians, they are very effective for creating spells, a variety of schools and action effects. It is quite difficult for beginners to immediately understand the features of the operation of such things, especially with insufficiently high initial skills.
They tend to be discharged periodically, to charge them you need to go into the inventory, move the mouse over the desired item, and then press the English key "T". Charging time depends on magical abilities character. Now the answer to the question of how to charge the staves will allow beginners to immediately start pumping magical skills, since initially the magician is very vulnerable in battle, and cannot oppose anything to swords and bows. In the future, the situation changes significantly. To find out where to find the staff of Enthir in Skyrim for one of the quests, you need to visit Screamingwind Bastion, the staff itself will be located behind closed door. Initially, beginners do not fully understand how exactly you can get inside. In fact, everything is extremely simple, you need to stand in the very center of the cave, and then look back, the ring to open the door is located in the very center of the room.
Next on the list of the most frequently asked questions from players is the Great Staff of Enchantment quest in Skyrim. If you follow all the instructions that are indicated in the original text of the tasks, then the passage is not something difficult, but the main feature is the search for the ruins of the Bloody Throne, where this enchanted quest item will be located. In the quest "Steal for Maelur Seloth" there is also a staff of Arcane Power, which will need to be shown to the Jarl to prove the connection with magical powers.
If the user is wondering how to create the Skull of Corruption staff, then doing it is quite simple. An interesting option is this variant, one of the most unique mage weapon options in the entire Skyrim game. After completing the Walking Nightmare quest, a character named Vermina will intend to destroy this artifact, it is worth interrupting this procedure. The legendary wand first appeared in the game Oblivion, while its properties in the new part have not changed at all. The staff of Wabbajack, which can be obtained as a reward for completing the side quest "Mad Mind", is similar. He is known for his unique abilities, giving him the power to perform a variety of attacks, including fire and cold. The chance is random, it is impossible to determine specific damage values. The beam of the staff is generally unpredictable, which is what makes this item interesting for gamers.
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Here I will explain the symbolic meaning and give a description of how to make a magic wand, from the point of view of magical theory and its use in practice.
First of all, the magic wand is a symbol of desire, power and strength, with which the magician maintains his influence on the sphere for which he was made and charged. A single wand or wand (not to be confused with a wand - the elemental weapon of fire) is not enough for the magician to practice, he will need several, depending on what he intends to do and what he intends to achieve.
In fact, the purpose of the magic wand is to help the magician project his desire into any sphere or onto any plane. He can get a wand to:
Influence any creature, regardless of whether it is a person or an animal.
Treat people and destroy negative, unfavorable influences.
Summon higher Geniuses, demons or spirits.
We can say that the wand symbolizes the unlimited power of the magician. A person who has fully comprehended the secret of a magic wand, its influence, will never perform rituals without it. It would be too long to talk about all the possibilities of the wand here. For the diligent adept, these hints will suffice, and they will serve as a good guide. This knowledge is quite enough to replenish reflections.
A magic wand is a capacitor, no matter what material it is made of. Charged with the desire of the magician, it expresses a certain power. It can be simple (common wand type) or complex. All sticks carved from wood are considered simple. But only a special type of wood can be used for this purpose. For a wand of desires, hazelnut or willow is suitable. The wishing wand is a modification of the regular wand. Although a wand made of ash can be used for all magical activities, the magician should charge it only for the sake of healing people. A wand made of elderberry, due to its analogy with Saturn, proves to be effective in summoning elementals or demons. A stick made from willow twig can be used in all cases, as willow is a very good fluid condenser. The attentive reader will remember that lightning often strikes willows due to their high water content and absorption capacity. He will also be able to recall the old proverb about thunderstorms: "They run from the willow, looking for the beech tree." Oak or acacia wood is also an excellent material for a magic wand. It is really not difficult to make a magic wand from any of the woods mentioned above. Trim the rod to approximately 3/8 or 3/4 inches in diameter and 12-20 inches in length, remove the bark and smooth the surface.
Often the preparation of a magic wand is limited to strict astrological periods, and a magician familiar with astrology can use his knowledge to create the wand. But such a procedure is not necessary, for the magician knows that the stars may have some influence, but cannot compel the wise to do anything, since he actually controls them.
Thus, the magician, if he wants, can make a magic wand from any specified material.
If the wand is to be used for ritual purposes, a new knife is needed to make it. The knife may later be used for other ritual activities. But in no case should it be used for domestic purposes. If the magician is not going to use the knife again in magic after cutting the wand out of the rod, he should bury it to prevent anyone else from accessing the knife. Another type of magic wand is a steel magnet equipped with an insulating band. Take a round steel bar (steel used for electroplating, i.e. magnet steel is best) approximately 12-20 inches long with a 3/8 inch diameter, polished and nickel plated to prevent rusting. After creating a nickel-plated rod, the magician can magnetize it with an electric coil, similar to how a horseshoe or an electric motor is magnetized. How more strength the attraction of the magnet, the better it works. This is a way to get a very strong steel magnet that will not only do its actual job, but also serve as the basis for an excellent magic wand in many magical experiments. First of all, you need to locate the north and south poles on the magic electrotype (electroforming) of the magnetic rod and mark both poles: the south pole with a minus and the north with a plus. To insulate the rod, its middle should be wrapped with a silk ribbon the width of the palm, i.e. about 3-4 inches. A rubber hose of the same length may also be used, or a wooden handle designed specifically for this purpose. Such a wand will enable the magician to bring about many magical phenomena, of which only a few will be discussed here.
If the magician is working with the electromagnetic fluids of the universe, intending to intensify them in the physical world, then he must hold the wand so that his right hand touched the positive pole, the left - the negative, and the ends of the rod touched the middle of the palms. After that, the electrical current from the universe must pass through the right side of the rod into the body of the magician through visualization. The positive charge of the rod (one-field-radiation) will thus increase, since it has the same vibrations, and will make it easier for the magician to store the electrical fluid in his body. The same procedure applies to the south pole magnetic fluids. Also, the magician can increase the electrical flow, having previously accumulated it in his body. In this case, he concentrates on the end-pole so carefully that by his actions he can directly influence physical world. The same applies to the magnetic fluids that the magician can accumulate in his left hand, which is the negative pole. The middle of the rod, covered by the insulating material, remains neutral. If the magician concentrates his intentions with the power of imagination into the compressed electromagnetic fluid of a steel magnet, the wand really becomes magical. By means of the electromagnetic fluid, which emanates in the form of brilliant light from the rod, any realization in the physical world becomes possible.
Initiates usually use this wand to influence sick people and all magnetic phenomena. This magic electromagnetic wand, according to the Law of the Universe, is an excellent capacitor with the same vibrations as the Universe, but more subtle in its properties. Man, reflecting on this, will be able to find other methods due to universal laws. The magician, for example, will be able to draw fluid from the universe like an antenna into his body or transmit it by the power of visualization to other people who are close to him or at a far distance. The wand will soon become an indispensable attribute of the magician, both for positive and negative forces, and will also help him create the necessary vibrations in the electromagnetic fluid.
In addition, there are sticks charged with a solid liquid or a combined capacitor. I could talk a lot about how to make such rods and how to use them afterwards, but I will only talk about the most significant method for the magician in his work. Take a twig of an old shrub, 12-20 inches long and 3/8 or 3/4 inches in diameter, remove the bark and smooth the surface with sandpaper. Remove all the inner wood so that you have a hollow tube. Place a stopper at one end of the tube and seal it with sealing wax, insert a condenser (liquid, if you prefer) on the other side and also seal this end of the airtight tube. Now the rod is ready to use. If you like, you can use different types of wood, such as ash, willow or oak rods, or hazelnut. The rod, which is originally nothing, must be carefully and carefully processed in order to get a pipe out of it. Instead of a liquid condenser, the same solid kind of condenser described in The Gate of Initiation can be used. It is also possible to take a piece of blotting paper impregnated with a liquid condenser instead of a solid one, which, after drying, is charged and then rolled up and placed in the hollow area of the rod. The inconvenience of wood is that after a while it wears out and becomes perforated under the influence of water. Therefore, it would be a good idea to replace it with a metal tube. Those types of metals that are good conductors of heat and electricity are best suited. The best option of all is 3/8" or 1/2" copper tubing. To avoid any corrosion on the metal surface, the tube can be plated with nickel, chrome or tin before being filled with the condenser. One hole must be immediately soldered, through the other the tube is immediately filled; in this way, you will get a first-class magic wand, suitable for all purposes. A magician who works with electric or magnetic fluids, in turn, can make for himself a rod from a thin metal or steel tube, as mentioned above, for working with magnetic fluids, and a copper rod for working with electric fluids. A universal wand is created in the same manner, except that a nickel-plated brass tube must be used instead of a copper or iron tube.
A magician who is sufficiently financially secure may use, instead of a liquid condenser, a condenser made of semi-precious stones. For electrical fluids, he will be able to use a copper rod, the inside of which is filled with pulverized amber, the best condenser for this kind of fluids. For working with magnetic fluids, the magician can take a steel tube with rock crystal pulverized in it instead of a solid condenser. Again, rock crystal is a very good capacitor for magnetic fluids. You can also solder two small tubes to form one rod; in this case, one part of the rod is filled with pulverized amber, and the other with rock crystal. A solid rod thus created, divided in the middle, will contain two types of capacitors.
In this case, the two halves must be connected with a thin copper or iron wire passing through the centers of both tubes. The outer side of such a rod should be coated with nickel. This ideal wand has a unique fluid capacity and will serve for any magical action. There is another way: a wooden rod can be decorated with seven rings made of planetary metals. The rings should be placed on the rod in the Kabbalistic order. That is Golden ring(for the Sun) is placed in the middle of the rod, and on each side there are three metal rings. The following metals can be used for rings:
Lead - Saturn
Tin - Jupiter
Iron - Mars
Gold - Sun
Copper - Venus
Brass - Mercury
Silver - Moon
In addition, the rings may be engraved with the image of the geniuses of the aforementioned fields. The use of such a wand would generally be limited to the incantation of the geniuses of these seven planets. When used in other cases, it will not outperform other wands. That's all the magician needs to know: he himself will be able to build on these examples and create something of his own. The shape and size of the stick play a minor role. The most important thing in it is charging for practical use, which will be described below.
Charging a magic wand is carried out in almost the same way as charging a magic mirror equipped with a fluid condenser. There are many ways to charge a wand. They all depend on what the mage wants to use it for. First of all, the magician must know that magic wand is a symbol of his desire, his power and his power and that it is a container like a fluid condenser of that power, power, etc., which the magician not only possesses, but can store this power at his discretion. Of little importance is the fact that it is simply a cut rod suitably worked, or whether it is a complex stick saturated or filled with a fluidic condenser.
Staves
Previously, it was believed that a magician is not a magician if he does not have a staff. This item of power serves as an extension of its owner and contains a power equal to it.
The staff is made from a whole young tree or branch. big tree. In the first case, the tree is asked for consent to give his life and become an ally of the magician. And in the second, they ask the permission of the tree to cut down one branch. But in both cases, nothing is done without the consent of the tree. Having received consent, they cut down the staff. After that, gifts are left to the earth or tree. Usually these are grains, semiprecious stones and beer.
The staff is cut off the branches and the top is cut off, and then covered with a cloth, preferably natural (linen, cotton or silk) and carried home. Already at home, trying on the staff to the owner, it is shortened in height. The optimal size is considered to be from the nose to 5 cm above the top of the head. Then they close up the places of cuts with pitch or paint so that the staff does not become damp.
Within 6 months, the bark of the staff is not touched. At this time, they talk in him, fill him with strength. They walk in the forest and learn to be aware of everything around again. Someone sings to him, someone rubs the bark with oils. What to do at this time and how to fill the staff with power is an individual matter for the magician.
After 6 months, the bark is removed from the staff. But not only the top layer, but all the way to the middle. The bark must be removed with a knife. Either specially purchased for this purpose, or their workers. The peeling process takes different time, someone does it faster, someone slower - here time does not matter anymore.
After finishing removing the bark, the staff must be sanded either with a file or sandpaper or sandpaper. The main thing is that the surface of the staff becomes smooth and does not leave splinters on the hands of the magician. After that, the staff can either be immediately covered with paint or varnish, or first cut or burn signs on it. The dyed staff is adorned as the mage's heart dictates. Either a stone is embedded in the top, or the top is decorated with feathers and bunches of beads - this is a personal matter.
In the traditional ritual magic the staff is dedicated and given a name. In witchcraft, the staff is given a name and initiated as it works. You can dedicate the staff based on the traditions of your faith or on the traditions of the holidays - here, too, only personal preferences.
sticks
For the manufacture of a magic wand, any branch of a tree up to thumb, not necessarily straight, you may also like a curved ring. Whether this wand has just been cut from a tree or found fallen in the forest, if the magician liked it, you can make a magic wand out of it.
The future wand is shortened to the desired length, and it (long) is chosen by the magician himself. It can be a stick a meter long and the length of a palm. Usually they take an average length of 15-30 cm. After that, the bark is removed from the stick. Traditionally, this is done either with nails or sandpaper. I do not exclude the method of processing with a knife and a file, as was done with a staff. The only difference is that the bark is removed immediately in one day.
Then the magic wand is coated with varnish or paint. Before that, you can cut or burn signs or patterns on a stick. When the paint on the stick dries, it is filled with energy. But they don’t just pump, but try to create in the stick, as it were, a vortex accumulator that will recharge it. This process takes one day. After that, the stick is rubbed with aromatic oil. You can mix several in a bowl or use only one. The oil is rubbed into the surface of the stick with the hands, this procedure binds the stick to the owner. After that, the magic wand can be used.
Wands
Wands are an attribute of ritual magic. Therefore, the creation of the wand is accompanied by a ritual.
To make a wand, they take a fresh branch in the circumference of the arm and 25-30 cm long. This branch is processed immediately. After removing the bark, it is rounded off on both sides and a piece of wood is removed from the middle from both ends. It turns out the stick on the ends is rounded and thicker than in the middle. Then the wand is skinned. They put on it the signs of the gods, the name of the wand and the name of the magician. Moreover, the first name is applied to one end, and the second to the opposite, and the signs of the gods are located in the middle. The wand is not covered with paint, but rubbed with oils.
After that, a ritual of dedication to the gods is performed over the rod. Further, the wand is used in ritual and religious ceremonies as a redirecting force.
The wand is one of the main tools of magic. It has been used in magical and religious rites for thousands of years. This is a summoning tool. The Goddess and God may be invoked to oversee the ritual with words and the raising of the wand.
It is used for channeling energies, drawing magic symbols or a circle on the ground to indicate the direction of danger, balancing on the palm or in the hand of the sorcerer, and even to stir the potion in the cauldron. The Wand represents the element of Air and is dedicated to God.
The traditional types of trees from which wands are made are willow, elderberry, oak, apple tree, cherry, peach tree, hazel and others. Some sorcerers cut the wand a cubit long from the fork, as thick as a finger, but this is not necessary. Any fairly straight piece of wood can be used as a wand, even a dowel bought from a hardware store works well. I saw beautiful wands carved from it and painted.
The new consciousness (and trade) brought new prominence to the wand. Delightful, beautiful creations of silver and quartz of various sizes and values are still used today. They can be safely used in witchcraft rituals although wooden wands have a long history.
Don't worry if you don't find the perfect wand right away - it will come to you. I have been using long liquorice as a wand for a long time now and have had excellent results with it.
Any wand you use will soon be filled with your energy and strength. Find one with whom you feel confident, and everything will work out for you.
How to make a magic wand, staff and wand
There are four sizes of magic wands made of wood and serving as an aid to concentration and strengthening one's own power.
Staff - about tall
Great wand - two or three cubits
Small wand - one or two cubits
"Magic wand" - about half an elbow.
The smaller the wand, the more powerful it is, and the more careful handling it requires.
Wands can also be made of metal or stone, but since the complexity is much higher, I did not even try to find out anything about it. Before starting, you need to perform a purification rite that matches your ideas. During processing, what you call fasting should be observed. Any psychotics are categorically excluded, even tobacco or coffee can disrupt your work.
For any wooden wand, “own” wood is chosen (in my case it can be oak or hawthorn), in general, preference is given to a harder breed. A young tree is selected that is suitable in thickness. For everything except the staff, a part of the main trunk is suitable only without knots. The tree is cut with a feeling of regret for the ruined plant, and the confidence that your need is worth it. A minimum of tools is used, ideally one knife, forged with one's own hand. Since it is difficult to get hold of a hand-forged knife in modern conditions, you can use an ordinary medical scalpel purchased specifically for this work.
When working, it is necessary to exclude a sense of triumph, haste or anticipation.
The magic wand, on the contrary, is made from the most clumsy and knotty (but by no means cracked and rotten!) part of the tree. Very good for such purposes is the rhizome of a tree, or, for example, the trunk of a Karelian birch. If a part of a tree was taken to make a magic wand, with full self-confidence, it makes sense to “give away” the tree - to rub a drop of blood into an incision in its bark.
The cut trunk is transferred to the place where it will be processed, and does not move to other places until the end of the work. Waste is collected, and after the end of work, they are sacrificed to forest spirits (buried under the turf in the forest with a sense of gratitude).
All processing is done in a state of permanent meditation on the material. Hurry, distraction for random things, attempts to speed up the work by risking spoiling the material are categorically excluded (not even the attempts themselves, but reflections on this topic, that is, if something can be scraped off, or it can be cut off, but accuracy in the latter case cannot be guaranteed, then there should not even be any doubt that it should be scraped). It is best to work in the forest or in the country. The work is done at one time exactly as much as in the buzz. Whenever there is a desire to work, you need to do it, even if this work will consist of two movements.
The bark and cambium are peeled off the trunk, in the case of a staff, knots are cut off and scraped off (not to smoothness), defects are cut out. The staff may then be finished at any time, but it is recommended that you at least scrape it carefully and lovingly.
For the rest of the wands, the upper (according to the growth of the tree) end is sharpened, the lower is rounded. The lower part of the wand (for which it is then held) is scraped across the fibers. At this stage, the workpiece should no longer have any corners or cuts. By this time, the workpiece may crack lengthwise due to drying, this is normal.
On a magic wand, both ends are rounded.
Processing should be interrupted, and play with the resulting object. You need to feel it as your own, find a comfortable position for it in your hand, love it, become attached to it. From now on, the workpiece should always be kept with you, at least in the area of attention. The feeling at the same time should be such that you acquaint him with yourself, with your life, with your habits, emotions.
Further processing is the main difficulty. Part of the wand, except for the place you hold on to and the point, is covered with a pattern. It does not make sense to “cover with a pattern” the wand. Scratches are applied to it in those places that, according to the sensation that has appeared, "they want it." Some of them may be small, some will “require” a deepening, sometimes up to a quarter of the radius (I didn’t have one, though). Scratches are applied with a knife point held in the fingers (by the way, it must be sharpened only by hand), and require a firm hand. When working, there should be a feeling of conversation, a conversation with a rod.
A small wand requires a pattern several times thicker and finer than a large wand, but sections of the initial surface should remain on it as part of the pattern (in this case, probably, the magic wand should be entirely carved). If a crack has formed on the wand, then with the same knife (but not very hard, otherwise it will crack) annealed copper, and even better silver, should be hammered into it, to the very surface.
For a magic wand, another type of pattern is preferable - a continuous, non-self-intersecting, open line covering as large an area of the magic wand as possible. If you manage to apply it in one stroke from start to finish... However, I doubt that you will succeed.
There is no need to demand European accuracy from the staff, it should have in its shape a reference to the original shape of the barrel, it should not be either perfectly smooth or perfectly round, the metal hammered into the slot should not look like a seal, it is simply stored there, although if it is not will look clumsy, then this is correct.
Unfortunately, I can’t describe in more detail the covering with a pattern, as it happens in deep meditation. The work should have an internal impression of a valuable process in itself, one should not feel concern for the result, even some nostalgic pity that, behold, another part of the work has been done is permissible.
At the same time, he must be introduced to the world, that is, shown to them in the sun, moon, stars, trees, while intensely feeling his attitude to the objects shown. It is not required to show ALL, and also to name names. Only that attitude to which you consider worthy of being noted.
The pattern is applied until you are sure that you cannot add a single stroke more. By the way, various symbols that you might have seen before may well come across in the pattern, it is absolutely necessary to determine exactly whether it is your subconscious that is playing around, or just scratches lay down. The first is bad, the second is normal.
There are so many symbols that they can be found in anything, there is no need to be afraid of them or strive for them, they are always secondary when interpreted by a person.
Having applied the pattern, it is required to polish the wand with a cloth and river sand. Whoever has never done this - I warn you, do not press, otherwise you will scratch. By the way, it is better to sift and / or rinse the sand. Only the pattern is polished, the handle has already been processed with a knife by this time, and the point must be ironed with a knife.
Polishing should take place in a joyful (but not violently hysterical) mood, and this should not make the movements abrupt.
By this time the wand will give you a feel for the need for initialization (activation? consecration? bad with my thesaurus recent times), which consists in a completely emotionless immersion of the tip into something. In my case, it was night water, but it could be earth, and wine, and milk, and a living body (God forbid, human), and sewage. If required, the next day the point is wiped with the same rag that polished the wand (by the way, did I say that this should be a natural fabric from your old clothes?), Which can be buried with bark and sawdust, or can be thrown away or destroyed, at your discretion.
The initialization of the magic wand looks a bit more complicated. First, one of its ends is immersed in something, then (the time interval does not matter and is unpredictable in advance) its other end is immersed in something else, something opposite in properties to the first. At a glance, the phrase is somewhat clumsy, but if you take up the manufacture of a magic wand, then at this stage everything will be clear to you.
The knife must be sharpened at the end of the work, and ... that's it.
If by that time you do not know what to do next with the wand, then I must have explained something wrong.
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